Andy Timmons Band

As guitarist for pop-metal band Danger Danger, he toured the world opening for Kiss and Alice Cooper, sold over a million records worldwide, and had two #1 videos on MTV, plus amassing a discography that includes 7 solo releases that range from blazing guitar instrumentals, to blues, and even a Beatles/Elvis Costello-inspired collection of pop tunes.

As a session player, he’s been highly featured on CDs by drumming legend Simon Phillips, a live CD with Olivia Newton-John (Andy has been her music director/guitarist for several U.S. tours), two internationally acclaimed CDs by Kip Winger, recording sessions for Paula Abdul, Paul Stanley, and countless radio and television jingles. He has also played alongside many of his heroes such as Steve Vai and Joe Satriani (as a regular guest on their G3 tours in Dallas), Eric Johnson, Steve Morse, Mike Stern, Ace Frehley, Ted Nugent, and Pierre Bensusan, as well as some of his fave ’60’s singing stars such as the Beach Boys, Lesley Gore, and Gordon Waller (of Peter and Gordon fame!)

Andy’s musical career began in his hometown of Evansville, Indiana at the age of 13 with his first band, Taylor Bay. “Early on, I realized that making it in a rock band was such a long-shot, that I better figure out other ways of making a living playing guitar. I began reading about players like Steve Lukather and Larry Carlton who made their living as session musicians. This really appealed to me, since I really loved a wide variety of musical styles.”

The decision to pursue the studio scene led him to more serious music studies. He studied classical guitar for two years before moving to Miami to study jazz guitar at the University of Miami (largely because the Dixie Dregs, Pat Metheny, and Jaco Pastorius had all gone there). He eventually ended up in Dallas where he was very fortunate to get a foot in the door of a very good studio scene. In 1988, the Andy Timmons band was formed and he quickly gained a following in Texas. Around that time, Epic recording artists Danger Danger recruited him to finish their debut record, film several videos, and begin touring.

After 4 years in New York with Danger Danger, Andy returned to Dallas in 1993 to resume his studio career and the Andy Timmons Band. His first solo release, ear X-tacy, was released in 1994 to critical acclaim followed 1997’s ear X-tacy 2. He then released Pawn Kings (1997), Orange Swirl (1998), The Spoken and the Unspoken (1999), and And-thology 1 & 2 (2000). In 2001 Andy signed with Favored Nations and released his first international record, That Was Then, This is Now, a compilation of the first two ear X-tacy records and and five new tracks. Resolution (2006) marks Andy’s first full-length new release for Favored Nations.

Andy has been consistently voted a “Top 20 Favorite Guitarist” in most of Japan’s rock music magazine’s reader polls, as well as being voted “Musician of the Year” four years in a row in the acclaimed Dallas Observer Music Awards. He also has become one of the most respected and sought after clinicians representing Ibanez Guitars, touring the world on their behalf.

Jim Suhler & Monkey Beat

Jim Suhler and his band Monkey Beat have been on the music scene since 1992 and have built a loyal fanbase worldwide. The Dallas, Texas-based group is known for its no holds barred approach to blues-inspired rock ‘n roll and roots music.

Their four Lucky Seven releases, two releases on Underworld Records, and Jim’s solo acoustic CD ‘Dirt Road’ on Topcat Records have shown an amazing depth of songwriting and playing, and their constant touring both in North America and Europe has garnered many admirers and accolades. Their album Tijuana Bible was nominated for a Blues Music Award for Best Rock/Blues Album in the 2010 Blues Music Awards by The Blues Foundation in Memphis.

The band has worked in the past with noted producers Terry Manning (ZZ Top, Led Zeppelin, Stax Records, etc.), and Jim Gaines (Santana, Stevie Ray Vaughan), and Grammy Award-winning producer/songwriter Tom Hambridge (Buddy Guy, Lynyrd Skynyrd, Johnny Winter etc.).

Jim is also well known as lead guitarist and songwriter with George Thorogood & the Destroyers since 1999, appearing on all albums and video releases during that time.

He has had his songs used in feature films (Spun, Wallace & Grommit) and is a multiple nominee in the prestigious Dallas Observer Music Awards. He is a member of BUDDY, Texas’ oldest music magazine Texas Tornado Hall of Fame.

Ian Moore, the Seattle-based, Austin, TX-born guitar player, singer and songwriter makes the proverbial renaissance man look lazy.  Coming on the heels of Strange Days, his most successful record since his eponymous debut and despite a never-ending cycle of touring, Moore offers a new release of bright, blazing rock-n-roll that combines his legendary guitar prowess with radio-friendly songs that showcase his elastic, soul-inflected vocals.  “It’s a very different climate right now. When we hit a city, it doens’t matter that i have 14 records, radio hits, etc. The only thing that matters is if we can really show up and leave the people feeling they saw something amazing. Its keeps me hungry, and I like the challenge”  says Moore.

For years, Ian has had his eyes on the challenges faced by musicians of every stripe, having experienced the spectrum of artist successes and tribulations over a nearly 30-year career. In response, he founded the artist’s healthcare alliance SMASH (Seattle Musicians Access to Sustainable Healthcare) and has joined the board of NARAS for the Pacific Northwest as governor and head of the advocacy committee.

You might have been surprised to hear Moore’s voice popping up on major network shows on prime time television this past year;  several selections were prominently being featured as performances on both American Idol and The Voice (“Satisfied” and “Blue Sky”).

Moore’s story is often told and probably familiar to most critics; his initial record on Capricorn propelled him to national tours with the Rolling Stones, ZZ Top and Bob Dylan, acting in the acclaimed indie feature Sling Blade and having Ice Cube direct the video for his track “Harlem.”

Moore deviated from his initial blues-oriented guitar sound on subsequent records, touching on graceful pop songs and the psychedelic as well as British pub rock and deep Americana. Toronto and its 6 tracks represents those influences in such a way that they have informed his songwriting, but is likely more recognizable as a strong collection of the kind of guitar rock his core fan base would respond to immediately.

On the triumphant “You Gotta Know My Name”,  Moore lampoons rich, entitled hipster kids.    “They get their marching orders from Pitchfork and fill their brains with coke and MDMA, looking for soul and depth”,  Moore explains.  “The chorus is a way of claiming my space as a person that has been slogging it out, in and out of fashion for most of my career, with a deeper sense of music, style and substance than the people that might quickly write me off.”

The anthemic “Lords of the Levee” is a contemporary, relevant take on the atmosphere of the U.S. right now.“   It’s an attack on group thought,”  Moore says,  “which is most typically shrouded in God and country, that allows people to do some really terrible things. I wrote it about the Alabama voters rights act, and how the people that opposed it used both God and country to justify their abhorrent behavior.”

And it captures Ian’s blistering live sound probably better than any recording he’s released in recent memory.   The catchy, propulsive “Looking for the Sound” is a play on the record title “El Sonido Nuevo,” which he wrote with his last group, the Lossy Coils.    “It comes from a Mighty Boosh skit, but the gist of the song is about what it is to be a touring musician, trying to build soul and culture, still believing the same things I believed when I was 18, and looking for open hearts and minds to feel it.”

On other tracks on the record,  “Satellite” and the slightly outrageous “Rock N Roll,” Moore explores the underbelly of rock, the bright side and the dangers of living your life in the magic of midnight.

Toronto releases May 25, 2018, on Last Chance Records in t he US and on Rough Trade in Europe. Moore will be touring in support of the record in the U.S. and Europe for all of 2018.