Darrell Scott

Multi-Instrumentalist and Singer-Songwriter Darrell Scott mines and cultivates the everyday moment, taking the rote, menial, mundane, and allowing it to be surreal, ever poignant, and candidly honest, lilting, blooming, and resonating.  The words he fosters allow us to make sense of the world, what is at stake here, and our place in it. And ultimately, Darrell knows the sole truth of life is that love is all that matters, that we don’t always get it right, but that’s the instinctive and requisite circuitous allure of things, why we forever chase it, and why it is held sacred.

Darrell Scott comes from a musical family with a father who had him smitten with guitars by the age of 4, alongside a brother who played Jerry Reed style as well.  From there, things only ramped up with literature and poetry endeavors while a student at Tufts University, along with playing his way through life.  This would never change.

After recently touring with Robert Plant and the Zac Brown Band (2 years with each), and producing albums for Malcolm Holcomb and Guy Clark and being named “songwriter of the year” for both ASCAP and NSAI, these days find him roaming his Tennessee wilderness acreage hiking along the small river, creating delicious meals with food raised on his property and playing music.  He often leads songwriting workshops to help people tell their own truths with their stories, and is as busy as always writing, producing, performing, and just plain fully immersing himself in life.

 

Robbie Fulks

Robbie Fulks is a singer, recording artist, instrumentalist, composer, and songwriter. His current release, Bluegrass Vacation on Compass Records, returns him to his bluegrass roots, with a large group of masterful musicians including Sam Bush, Jerry Douglas, Justin Moses, Ronnie McCoury, Alison Brown, David Grier, Tim O’Brien, Todd Phillips, John Cowan, Brennen Leigh, Randy Kohrs, Sierra Hull, Stuart Duncan, Shad Cobb, and Chris Eldridge. Across 11 new original songs (and one freewheeling interpretation of the Delmore Brothers), Robbie covers themes like small-town blues, the endurance of childhood memory, inebriation, love, divorce, the role of music in strengthening family bonds, losing a loved one to Alzheimer’s, and bluegrass itself.

His most recent release, 2017’s Upland Stories, earned year’s-best recognition from NPR and Rolling Stone among many others, as well as two Grammy® nominations, for folk album and American roots song (“Alabama At Night”).

Fulks was born in York, Pennsylvania, and grew up in a half-dozen small towns in southeast Pennsylvania, the North Carolina Piedmont, and the Blue Ridge area of Virginia. He learned guitar from his dad, banjo from Earl Scruggs and John Hartford records. He attended Columbia College in New York City.

In 1983 he moved to Chicago and joined Greg Cahill’s Special Consensus Bluegrass Band. He taught music at Old Town School of Folk Music from 1984 to 1996, and worked as a staff songwriter on Music Row in Nashville from 1993 to 1998.

His early solo work — Country Love Songs (1996) and South Mouth (1997) — helped define the “alternative country” movement of the 1990s. For most of the present century, Robbie has been playing acoustic music through microphones, which lets him give more attention to his flatpicking and banjo playing, and complements his more sepia-toned subject matter — the slings of time, the troubles of common people. His repertory of traveling players includes folks like Shad Cobb, Missy Raines, Robbie Gjersoe, Jenny Scheinman, Matt Flinner, Don Stiernberg, and Jesse Cobb. However, two non-acoustic recent side projects are his 2018 duo record with Linda Gail Lewis, Wild! Wild! Wild!, an NPR favorite which leans to rock-and-roll and classic country-and-western, and his double-vinyl reinterpretation of the Bob Dylan record Street-Legal, which is titled 16, is musically unbounded and is no one’s favorite.

Radio: multiple appearances on WSM’s “Grand Ole Opry”; PRI’s “Whadd’ya Know”; NPR’s “Fresh Air,” “Mountain Stage,” and “World Cafe”; and the syndicated “Acoustic Cafe” and “Laura Ingraham Show.” TV: PBS’s Austin City Limits; NBC’s Today, Late Night with Conan O’Brien, Later with Carson Daly, and 30 Rock. From 2004 to 2008 he hosted an hourlong performance/interview program for XM satellite radio, “Robbie’s Secret Country.” Artists who have covered his songs include Sam Bush, Kelly Hogan, Andrew Bird, Mollie O’Brien, Rosie Flores, John Cowan, and Old 97s.

Robbie’s writing on music and life have appeared in GQ, Blender, the Chicago Reader, DaCapo Press’s Best Music Writing anthologies for 2001 and 2004, Amplified: Fiction from Leading Alt-Country, Indie Rock, Blues and Folk Musicians, and A Guitar and A Pen: Stories by Country Music’s Greatest Songwriters. As an instrumentalist, he has accompanied the Irish fiddle master Liz Carroll, the distinguished jazz violinist Jenny Scheinman, and the New Orleans pianist Dr. John. As a producer his credits include Touch My Heart: A Tribute to Johnny Paycheck (Sugar Hill, 2004) and Big Thinkin’ by Dallas Wayne (Hightone, 2000). Theatrical credits include “Woody Guthrie’s American Song” and Harry Chapin’s “Cottonpatch Gospel.” He served twice as judge for the Winfield National Flatpicking Guitar competition. He tours yearlong with various configurations.

Besides country and bluegrass music, Robbie is fiercely fond of Charles Mingus, P.G. Wodehouse, quantum mechanics, his wife Donna, comedy in almost all forms, cooking, swimming laps, the past, Arthur Schopenhauer, Universal horror movies, his grandson and even his sons, coastal towns in the off-season, and rye whiskey, though in nothing like that order.

Darrell Scott

Multi-Instrumentalist and Singer-Songwriter Darrell Scott mines and cultivates the everyday moment, taking the rote, menial, mundane, and allowing it to be surreal, ever poignant, and candidly honest, lilting, blooming, and resonating.  The words he fosters allow us to make sense of the world, what is at stake here, and our place in it. And ultimately, Darrell knows the sole truth of life is that love is all that matters, that we don’t always get it right, but that’s the instinctive and requisite circuitous allure of things, why we forever chase it, and why it is held sacred.

Darrell Scott comes from a musical family with a father who had him smitten with guitars by the age of 4, alongside a brother who played Jerry Reed style as well.  From there, things only ramped up with literature and poetry endeavors while a student at Tufts University, along with playing his way through life.  This would never change.

After recently touring with Robert Plant and the Zac Brown Band (2 years with each), and producing albums for Malcolm Holcomb and Guy Clark and being named “songwriter of the year” for both ASCAP and NSAI, these days find him roaming his Tennessee wilderness acreage hiking along the small river, creating delicious meals with food raised on his property and playing music. He often leads songwriting workshops to help people tell their own truths with their stories, and is as busy as always writing, producing, performing, and just plain fully immersing himself in life.

Seth Walker

Over the last decade, Seth Walker has become recognized as one of the most revered Americana artists in the United States; a three dimensional talent who combines a gift for melody and lyric alongside a rich, Gospel-drenched, Southern-inflected voice with a true blue knack for getting around on the guitar. 

In 2022, Walker will release, ‘I Hope I Know,’ his eleventh studio album. Produced by Jano Rix of The Wood Brothers, the collection is a beacon of light, written and recorded during the dark times of the pandemic. Each song burns bright with what fans have come to love about Walker: stylistically diverse influences, pure soul in his delivery, contemplative lyrics, and musical movement both geographic and spiritual.

Currently residing in Asheville after stints living in Nashville, New Orleans and Austin, Walker has used those experiences wisely, soaking up the sounds and absorbing the musical lineage of these varied places. With a bluesman’s respect for roots and tradition, coupled with an appreciation for—and successful melding of—contemporary songwriting, Seth sublimely incorporates a range of styles with warmth and grace. 

All Music declares, “Walker is deft and elegant, weaving together sounds and stories in a way that has a quiet, lasting impact,” but perhaps Country Standard Time said it best: “If you subscribe to the Big Tent theory of Americana, then Seth Walker –with his blend of blues, gospel, pop, R&B, rock, and a dash country—just might be your poster boy.”

Multi-Instrumentalist and Singer-Songwriter Darrell Scott mines and cultivates the everyday moment, taking the rote, menial, mundane, and allowing it to be surreal, ever poignant, and candidly honest, lilting, blooming, and resonating.  The words he fosters allow us to make sense of the world, what is at stake here, and our place in it. And ultimately, Darrell knows the sole truth of life is that love is all that matters, that we don’t always get it right, but that’s the instinctive and requisite circuitous allure of things, why we forever chase it, and why it is held sacred.

Darrell Scott comes from a musical family with a father who had him smitten with guitars by the age of 4, alongside a brother who played Jerry Reed style as well.  From there, things only ramped up with literature and poetry endeavors while a student at Tufts University, along with playing his way through life.  This would never change.

After recently touring with Robert Plant and the Zac Brown Band (2 years with each), and producing albums for Malcolm Holcomb and Guy Clark and being named “songwriter of the year” for both ASCAP and NSAI, these days find him roaming his Tennessee wilderness acreage hiking along the small river, creating delicious meals with food raised on his property and playing music. He often leads songwriting workshops to help people tell their own truths with their stories, and is as busy as always writing, producing, performing, and just plain fully immersing himself in life.

Multi-instrumentalist and singer-songwriter Darrell Scott mines and cultivates the everyday moment, taking the rote, menial, mundane, and allowing it to be surreal, ever poignant, and candidly honest, lilting, blooming, and resonating. The words he fosters allow us to make sense of the world, what is at stake here, and our place in it. And ultimately, Darrell knows the sole truth of life is that love is all that matters, that we don’t always get it right, but that’s the instinctive and requisite circuitous allure of things, why we forever chase it, and why it is held sacred.

 

Darrell Scott comes from a musical family with a father who had him smitten with guitars by the age of 4, alongside a brother who played Jerry Reed style as well. From there, things only ramped up with literature and poetry endeavors while a student at Tufts University, along with playing his way through life. This would never change. 

 

After recently touring with Robert Plant and the Zac Brown Band (2 years with each), and producing albums for Malcolm Holcomb and Guy

Clark and being named “songwriter of the year” for both ASCAP and NSAI, these days find him roaming his Tennessee wilderness acreage hiking along the small river, creating delicious meals with food raised on his property and playing music. He often leads songwriting workshops to help people tell their own truths with their stories, and is as busy as always writing, producing, performing, and just plain fully immersing himself in life.

“I look like an insider because of everything I‘ve done but I always felt like an outsider,” Darrell Scott says. “And that’s important—to be an outsider.” He’s also a master.

Whether its’ rock, folk, country or blues, Darrell Scott, the 4-time Grammy nominated Nashville songwriter, has written hits all the way from Brad Paisley and the Dixie Chicks to Del McCoury, Sam Bush and Keb Mo; contributing songs to three of 2016’s best albums alone. ‘It’s not surprising that Scott wrote nine of the 14 songs on his own new album, “Couchville Sessions,” and less surprising that he wrote three songs with the like-minded Americana artist Hayes Carll on Carll’s magnificent new disc, “Lovers and Leavers,”’ in addition to “1000 Things” from Sarah Jarosz’s award winning “Build Me Up From Bones” album.

What’s more surprising is that Scott came off of a year and a half of touring in Robert Plant’s Band of Joy with a co-write on R&B star Anthony Hamilton’s new recording, “Save Me,” the opening track on “What I’m Feelin.” Over the past two years Darrell has produced, co-written and performed on three songs from Zac Brown’s latest project “Heavy Is the Head,” in addition to producing Jonathan Edwards latest and Malcolm Holcombe’s upcoming 2017 release, “Pretty Little Troubles.” But these partnerships all makes sense: Although they hail from different genres, these artists are master craftsmen at fitting words to notes.

Witness his ability to make just about any instrument talk, listen to his vocals and songwriting to hear him contain every emotion between joy and pain within one verse in his singing and in his pen. Nowadays he’s taking the outsider role even more seriously; after 23 years in Nashville he spent the last year devoting himself to a self-sufficient lifestyle in the country while simultaneously putting together his best album in years.