Haynes Boone and KXT 91.7 Present the Eric Nadel Birthday Benefit

Celebrating its 12th concert, the Eric Nadel Birthday Benefit supports the work of Grant Halliburton Foundation, a local nonprofit that provides mental health education, training, and support to North Texas children, teens, and families. For more information, visit granthalliburton.org.

Dallas native Rhett Miller is best-known as the frontman of the Dallas-based alt-country band the Old 97’s, although he has also pursued a critically acclaimed solo career and toured relentlessly for many years. Most of Miller’s solo albums are dominated by cool, melodic pop tunes with a drier and more confessional bent than his work with the band.

An accomplished author, Miller has written two children’s books, “No More Poems! A Book in Verse That Just Gets Worse” and “The Baby-Changing Station” as well as numerous articles for national publications including “Rolling Stone,” “Salon,” and “The Atlantic.” He also hosts a popular podcast, “Wheels Off,” a show about the messy reality of the creative life.

A long-time mental health advocate, Rhett appeared in 2016 as part of the Okay to Say campaign, encouraging the use of therapy to address mental health issues.

Brooklyn-based singer-songwriter Leslie Mendelson drew worldwide attention for her collaboration with Jackson Browne on “Human Touch,” written and performed for the 2019 documentary film “5B.” She then toured with Browne, which included a performance at Austin City Limits. Her collaborations with Bob Weir are frequently streamed on YouTube and she has opened shows for Roger Daltrey and The Who, among many others.

Leslie will tour extensively this year to support her soon-to-be-released album, “After the Party,” which includes the singles “Other Girls” and “Rock ‘n’ Roll on the Radio.”

Sponsor tables for this event are available through Grant Halliburton Foundation. Visit granthalliburton.org/ericnadel to learn more or to purchase a sponsorship. Questions? Email julia@granthalliburton.org.


About Grant Halliburton Foundation

Grant Halliburton Foundation was established in 2006 in memory of a Dallas teen who battled depression and bipolar disorder for several years before his suicide death at the age of 19. The Foundation that bears his name works to help prevent suicide by providing education, resources, and support for children, teen, and young adult mental health.

Over the past 18 years, the Foundation has provided mental health education and training to more than 325,000 students, educators, parents, and professionals. The Foundation also offers help and support through HereForTexas.com and the Here For Texas Mental Health Navigation Line. These free community tools provide easy access for North Texans seeking information and resources for mental health and substance abuse. Learn more at GrantHalliburton.org.



“When we first started playing, people couldn’t have cared less that we were there,” recalls Turnpike Troubadours’ frontman Evan Felker. “They were there to drink beer and raise hell and they didn’t really care what music was playing while they did it. But as we went on and as we got better, they started to listen. I mean, they were still drinkin’ plenty of beer, but before too long, they were actually coming to hear us and asking us to play our songs, and not just covers of traditional favorites and all the other stuff we’d been doing.”
Not only did the crowds get more attentive, they kept getting bigger. As time went on, and the Troubadours broadened their touring circle, they moved on from tiny clubs in the more obscure corners of the Sooner state and started hitting – and selling out – prestigious venues like Cain’s Ballroom in Tulsa, the Firehouse Saloon in Houston and Antone’s in Austin.
Over the course of the past five years, Felker and his band have honed the rowdy, quick-witted sound that’s brought folks of all stripes together in front of those stages. And on Goodbye Normal Street, the Troubadours’ third full-length album, the band takes that blend of nice and easy and nice and rough and distills it into a 43-minute ride that takes in the scenery of America’s Heartland and the inner workings of a group of 20-somethings on a quest for something better.
Felker, who writes the majority of the lyrics – with an assist from bassist RC Edwards – has a knack for capturing slices of life in vivid detail. “All the songs are about people we know,” he says. “And yeah, some of them are probably about me to some degree – the guy who ticks off the wrong girl from Arkansas, and the guy who doesn’t always like what he sees himself becoming. Mostly though, I think they’re just honest.”
The band – which took its name from the Indian Nation Turnpike that connected so many of the smaller towns where they cut their teeth – gradually evolved from offering acoustic explorations of tunes by Townes Van Zandt and Jerry Jeff Walker to kicking out three or four sets a night of full-throttle roadhouse country – tinged with the punk rock attitude that was in the air during the members’ teen years.
The raw-boned energy of their 2007 debut, Bossier City, cut on a shoestring budget and aimed squarely at getting boots on the dance floor earned raves from many corners, including No Depression, which dubbed it “a testament to the small towns in which they were raised … with stories of longing, humor, tragedy and general life in rural America.” The quintet broadened its horizons on its sophomore outing, Diamonds and Gasoline, which spawned the Americana favorite “Every Girl” and brought them to the attention of folks throughout the country, and overseas.
And with Goodbye Normal Street – the name a reference to another longtime band residence as well as a state of mind that they left behind long ago – they set their sights on conquering even more expansive territories. “This music, at its best, can put into words what we have been thinking for our entire lives,” says Felker, “and even at its worst, it gets people drinking beer and makes people happy. Either of those is fine with me.”


Lead singer of The Old 97’s Rhett Miller released his new solo album, The Traveler, on May 19th 2015. The album features the instrumentation of Black Prairie (members of The Decemberists), Peter Buck and Scott McCaughey (members of REM) and is Rhett’s seventh solo effort.
A Kessler favorite!