There is a contagious and combustible energy every time the eight-piece wonder-band The Suffers steps on the scene. NPR’s Bob Boilen attributes the band’s allure to their “Soul, straight from horn to heart.” He adds, “This band is on fire when it’s in front of an audience…but the intensity of their shows are also captured in the studio.” Following The Suffers’ electrifying late night TV debut on Letterman in 2015, David Letterman exclaimed, “If you can’t do this, get out of the business!” There is something undeniable

about The Suffers (whose name is a reference to the 1978 Jamaican film Rockers starring Leroy Horsemouth” Wallace, Jacob Miller and Burning Spear, among others), that instantly hits home with their audiences. “We make music for all people,” says lead vocalist Kam Franklin. “At this point, we’ve played all over the world and one thing is certain – if the music is good, the people will enjoy it.” Since 2011, the H-Town heroes have been on a steady grind and have no plans of stopping. It seems the secret to their success is simple. Keyboardist Patrick Kelly confides, “There is a universal groove in the music that we play,” while bass guitarist Adam Castaneda adds, “I don’t think any of us are trying to impress anyone with our technical abilities, we just want to make them dance.”

 

Shanachie Entertainment released The Suffers’ highly anticipated label debut Everything Here on July 13, 2018. Guitarist Kevin Bernier says, “Everything Here, as a whole, explores the many aspects of who we are as people through songs. We’ve had crushes on people, we’ve had our hearts broken, and we’ve moved through all the difficult times so that we can experience the joyful moments.” The Suffers have got everything you need and there’s no need to look further – a heaping dose of soul, a dash of reggae, a splash of jazz, a pinch of salsa, a hint of rock ‘n’ roll and a dollop of hip hop and funk – and that is just a few ingredients simmering inside their magical Gulf Coast soul. Percussionist Jose Luna says, “The glue that holds us together is our experience. We have all played with so many bands and musicians through the years that we have learned how not to step on each others toes.”

 

Everything Here, a riveting collection of 15 originals that gives props to Houston (there are even cameos from Houston rappers Paul Wall and Bun B), explores the many sides of love, celebrates the virtues of individuality, reminds us of the destruction of Harvey and resilience of the human spirit and declares love for their mothers. All of these themes coalesce into one soulful soundtrack. The band co-produced the album with John Allen Stephens and Zeke Listenbee co-produced on several tracks. Trombonist Michael Razo explains, “One of our goals was to have the songs on the album flow or tie into each other. Like

creating an album where you just press play and let it go without having to skip to the next song.”

 

“The Suffers are a contemporary version of the great R&B/funk bands of 70s and 80s…Rufus, Earth, Wind & Fire, Kool & The Gang, with a powerful lead vocalist in Kam Franklin and spot-on musicianship that is all too rare these days,” says Shanachie Entertainment General Manager, Randall Grass. “They’ve done a great job of building a base on their own and we at Shanachie are looking forward to taking them to the next level.” The Suffers’ drive coupled with their can’t lose attitude and serious chops have taken them from their beloved Houston to the world stage (they are the first band to break nationally out of Houston in a long time). Lead singer Kam Franklin has the distinction of being a spokesperson for Houston as she has been tapped by the city to appear in a national tourism advertisement. “It means a lot to me that the city would trust me in such a grand way to represent them,” shares the dynamic singer/songwriter. “Houston has played a huge part in making me who I am and introducing our music

to the masses, and for that, we are forever grateful.” The Suffers have played sold out shows in Japan and Latin America, turned out audiences at the Newport Folk Festival and Afropunk Festival and made believers of just about anyone who has experienced their live shows. “We’re a testament to teamwork and camaraderie resulting in things working out even when the odds are against a positive outcome,” says drummer Nick Zamora. “The wonderful thing about music is that it is ultimate universal communication,” reflects trumpeter Jon Durbin.

 

The Suffers exploded onto the scene in 2015 with their dazzling EP Make Some Room, which was followed by their critically heralded self-titled debut in 2016. The highly anticipated Everything Here is the band’s most bold statement yet. Nick Zamora shares, “We were nervous because we didn’t know how to write an album while devoting so much time to touring and keeping our personal lives together at the same time. We started doing it when we could; on the road, at home, finding inspiration here and there. We wrote about our post-9 to 5 epiphanies, relationships and music that just felt good.” As the album began to morph into creation the band trusted their vision. “I think that the idea has always been to be as honest as we can,” says Patrick Kelly. Kam Franklin adds, “Our hope is that our fans walk away feeling empowered, resilient, and inspired to live a better life.”

Houston’s own The Suffers are here to shake up the notion that they’re another soul revival band. Just as much influenced by classic rock & roll, country, Latin and Southern hip hop as they are the Stax/Volt or Muscle Shoals era, The Suffers are bringing a fresh approach to what they have coined Gulf Coast Soul. Late night legend David Letterman proclaimed in early 2015 "If you can’t do this, get out of the business", let it be known that The Suffers are here to stay!  With a year that included performances for NPR’s Tiny Desk, Newport Folk Fest, Austin City Limits Music Festival and The Late Show, The Suffers have delivered over 150 stirring performances of their signature 3rd Coast Soul sound to thousands of new and old fans alike. The large ensemble packs each position of the rhythm and horn section with a level of talent and taste that provides the perfect foundation for singer Kam Franklin's massive voice. The band's sincerity and emotion are laid bare in their music, which has garnered an audience so broad and varied that they may prove to be the panacea for a jaded and stratified live music scene.  Their 2016 self-titled debut album hit shelves on February 12th and will be the continuation of what 2015's Make Some Room EP started.  Expect to see the band’s name continue to climb up the tier on posters of the best festivals around. 

For singer­‐songwriter Sarah Jaffe, Don’t Disconnect is both a mission statement and a call to arms; an album about getting to know yourself in a hyper-­connected world that makes it nearly impossible to do just that. The leadoff track from the Texas­‐born musician’s third LP sets the tone: “Middle of the line/ Middle of the road,” Jaffe sings over mid-­‐tempo beats on “Ride It Out,” “Nowhere to hide on this logical plateau/ Gunna have to ride it out.” “Riding it out” -­‐ that is, facing your reality and learning how to cope with it, is a powerful opening credo for an album titled Don’t Disconnect, which emphasizes the power of staying truly “connected” without unplugging from the world around you.
Since her debut EP Even Born Again was self-­‐released in 2008, Jaffe’s endearingly stark narratives have gone from homespun folk-­‐pop songs in the lineage of Lucinda Williams to decidedly cathartic blues­‐pop ballads that rest at the intersection of indie, folk, and electronic ­‐ without losing any of the thoughtfulness or intimacy.
Part of Jaffe’s charm comes from that fact that she writes all of her lyrics herself: after wowing crowds at Austin City Limits in the late 2000’s, she earned local recognition through the Dallas Observer Music Awards and signed a deal with Kirtland Records in 2010. Her Kirtland debut Suburban Nature followed exposing the artist to an international audience who found solace in the album’s confessional, literary aesthetic without forsaking, as one reviewer put it, “the decidedly punky force behind the quiet façade.” Suburban Nature was still minimal, produced by John Congleton (St. Vincent, Wye Oak) but this time Jaffe was joined by a band, who rounded out the tenderness in her voice with lush overtures that made it poignant.
By the time The Body Wins arrived in 2012, the pace of Jaffe’s music had shifted but the delicacy had not: the record’s instrumentation veered more towards electro-­‐pop, but the troubadour storytelling and heartfelt lyricism was every bit as cerebral. “There’s always a point/ A point of no return,” she sang memorably on “Mannequin Woman,” which she later performed for her late night television debut on Jimmy Kimmel Live!, Outside of her own music, Jaffe was learning too, beginning a writing partnership with hip­‐hop producer S1 (Beyoncé, Kanye West, Jay Z) for whom she also provided vocals. The duo’s first collaboration, “Bad Guy” became the first track on Eminem’s MMLP2 LP.
The highly anticipated follow-­up to The Body Wins continues to showcase Jaffe’s range. Don’t Disconnect, released in 2014 on Kirtland, was produced by Midlake’s McKenzie Smith, whose “amazing partnership,” Jaffe enthuses, a warmness that bleeds through to the record, despite the technological connotations of its title. If The Body Wins emphasized the triumph of the corporeal ‐ in metaphors and direct references to “the body” – then Don’t Disconnect is about the humanity and vulnerability that lies within.
In 2015 Jaffe released Visions EP which featured Dallas-Metroplex favorites including Sam Lao, Zhora, and more.

Houston’s own The Suffers are here to shake up the notion that they’re another soul revival band. Just as much influenced by classic rock & roll, country, Latin and Southern hip hop as they are the Stax/Volt or Muscle Shoals era, The Suffers are bringing a fresh approach to what they have coined Gulf Coast Soul. Late night legend David Letterman proclaimed in early 2015 "If you can’t do this, get out of the business", let it be known that The Suffers are here to stay!  With a year that included performances for NPR’s Tiny Desk, Newport Folk Fest, Austin City Limits Music Festival and The Late Show, The Suffers have delivered over 150 stirring performances of their signature 3rd Coast Soul sound to thousands of new and old fans alike. The large ensemble packs each position of the rhythm and horn section with a level of talent and taste that provides the perfect foundation for singer Kam Franklin's massive voice. The band's sincerity and emotion are laid bare in their music, which has garnered an audience so broad and varied that they may prove to be the panacea for a jaded and stratified live music scene.  Their 2016 self-titled debut album hit shelves on February 12th and will be the continuation of what 2015's Make Some Room EP started.  Expect to see the band’s name continue to climb up the tier on posters of the best festivals around. 

For singer­‐songwriter Sarah Jaffe, Don’t Disconnect is both a mission statement and a call to arms; an album about getting to know yourself in a hyper-­connected world that makes it nearly impossible to do just that. The leadoff track from the Texas­‐born musician’s third LP sets the tone: “Middle of the line/ Middle of the road,” Jaffe sings over mid-­‐tempo beats on “Ride It Out,” “Nowhere to hide on this logical plateau/ Gunna have to ride it out.” “Riding it out” -­‐ that is, facing your reality and learning how to cope with it, is a powerful opening credo for an album titled Don’t Disconnect, which emphasizes the power of staying truly “connected” without unplugging from the world around you.
Since her debut EP Even Born Again was self-­‐released in 2008, Jaffe’s endearingly stark narratives have gone from homespun folk-­‐pop songs in the lineage of Lucinda Williams to decidedly cathartic blues­‐pop ballads that rest at the intersection of indie, folk, and electronic ­‐ without losing any of the thoughtfulness or intimacy.
Part of Jaffe’s charm comes from that fact that she writes all of her lyrics herself: after wowing crowds at Austin City Limits in the late 2000’s, she earned local recognition through the Dallas Observer Music Awards and signed a deal with Kirtland Records in 2010. Her Kirtland debut Suburban Nature followed exposing the artist to an international audience who found solace in the album’s confessional, literary aesthetic without forsaking, as one reviewer put it, “the decidedly punky force behind the quiet façade.” Suburban Nature was still minimal, produced by John Congleton (St. Vincent, Wye Oak) but this time Jaffe was joined by a band, who rounded out the tenderness in her voice with lush overtures that made it poignant.
By the time The Body Wins arrived in 2012, the pace of Jaffe’s music had shifted but the delicacy had not: the record’s instrumentation veered more towards electro-­‐pop, but the troubadour storytelling and heartfelt lyricism was every bit as cerebral. “There’s always a point/ A point of no return,” she sang memorably on “Mannequin Woman,” which she later performed for her late night television debut on Jimmy Kimmel Live!, Outside of her own music, Jaffe was learning too, beginning a writing partnership with hip­‐hop producer S1 (Beyoncé, Kanye West, Jay Z) for whom she also provided vocals. The duo’s first collaboration, “Bad Guy” became the first track on Eminem’s MMLP2 LP.
The highly anticipated follow-­up to The Body Wins continues to showcase Jaffe’s range. Don’t Disconnect, released in 2014 on Kirtland, was produced by Midlake’s McKenzie Smith, whose “amazing partnership,” Jaffe enthuses, a warmness that bleeds through to the record, despite the technological connotations of its title. If The Body Wins emphasized the triumph of the corporeal ‐ in metaphors and direct references to “the body” – then Don’t Disconnect is about the humanity and vulnerability that lies within.
In 2015 Jaffe released Visions EP which featured Dallas-Metroplex favorites including Sam Lao, Zhora, and more.